ACADEMY TEAM
Desmond Richardson
Founding Artistic Director
Desmond Richardson was the first African-American principal dancer of American Ballet Theatre and is hailed by The New York Times as one of the greatest dancers of his time. Nominated for a Tony Award for his role in the original Broadway cast of Fosse and deemed a standout in the Tony-Award winning production After Midnight, Richardson is highly esteemed by the concert dance and American theater community. He appeared in Twyla Tharp’s Broadway production Movin’ Out, and had his singing debut in Burt Bacharach’s and Hal David’s The Look Of Love, choreographed by Ann Reinking and Scott Ellis.
Richardson has appeared on celebrated stages across the world, namely The Metropolitan Opera, The Kennedy Center, Paris Opera, The Bolshoi Theatre, The Mariinsky Theatre, The State Kremlin Palace, Teatro Massimo, and Teatro alla Scala. He has been a member and invited guests of prestigious companies including Alvin Ailey American Dance Theater, Frankfurt Ballet, Royal Swedish Opera Ballet, American Ballet Theatre, Washington Ballet, and San Francisco Ballet, to name a few.
Richardson, a Young Arts Finalist and Presidential Scholar, has received numerous awards including the Dance Magazine Award, Capezio Award, Ailey Apex Award, L.A. Ovation Award, Bessie Award, YoungArts Alumni Award, and most recently the Roosevelt “Rosey” Thompson Award presented by the Presidential Scholars Foundation. In the spring of 2109, Richardson received an honorary doctorate degree from The University of North Carolina School of the Arts in recognition of his extensive contributions to the field of dance.
Richardson has been a celebrity guest performer and choreographer for productions across media such as the American Music Awards, the Academy Awards, City Center’s Encores! series, Italy’s AMICI, and international franchises of So You Think You Can Dance. Richardson has been featured by famed artists such as Michael Jackson, Prince, Madonna, Elton John, and Aretha Franklin, and he appears in celebrated films such as the Oscar-Award winning Chicago, Julie Taymor’s Across the Universe, and the recent independent film, Fall to Rise. He has worked with fashion icon, Tom Ford, Chic’s Nile Rodgers, and recently contributed to Grammy-Award winning Jill Scott’s video Back Together, which features dancers from COMPLEXIONS. Internationally and domestically, he is a master teacher for dance programs such as the New York’s All Stars Project, YoungArts Miami, United Way, The Pulse, NYCDA, and ASH. He served as co-creative director and choreographer with David Monn for the Park Avenue Armory Gala Masquerade. Richardson is currently a guest artist in residence at USC’s Glorya Kaufman School of Dance and is the visiting adjunct professor of dance at Southern Methodist University.
Dwight Rhoden
Founding Artistic Director
Dwight Rhoden has established a remarkably wide-ranging career, earning distinction from The New York Times as “one of the most sought out choreographers of the day.”
A native of Dayton, Ohio, Rhoden began dancing at age 17. Rhoden has performed with Dayton Contemporary Dance Company, Les Ballet Jazz De Montreal, and as a principal dancer with the Alvin Ailey American Dance Theater. In 1994, Rhoden and Desmond Richardson founded COMPLEXIONS Contemporary Ballet. They have brought their unique brand of contemporary dance to the world for over two decades. Under Rhoden’s direction, COMPLEXIONS has become a dance institution high in demand, as a center for innovation and cutting edge programming.
Rhoden’s choreography has been the lynchpin of the development of COMPLEXIONS repertory.“Musicality, innovation, purpose, consistency, brilliant use of stage space and the ability to tell a story—all these qualities make [Rhoden] one of today's elect choreographers”(Los Angeles Times). Since 1994, Rhoden has created over 80 ballets for COMPLEXIONS, as well as for numerous other companies, including the Alvin Ailey American Dance Theater, Arizona Ballet, Aspen Santa Fe Ballet, BalletMet, Dance Theater of Harlem, Colorado Ballet, Dayton Contemporary Dance Company, Joffrey Ballet, Miami City Ballet, New York City Ballet, North Carolina Dance Theater, Pennsylvania Ballet, PHILADANCO!, Mariinsky Ballet, Minneapolis Dance Theater, Phoenix Dance Company, Sacramento Ballet, Oakland Ballet, Pittsburgh Ballet Theater, The Washington Ballet, and Zenon Dance Company, among others.
Rhoden has also directed and choreographed performances for shows across a range of media, including So You Think You Can Dance, E! Entertainment’s Tribute to Style, Amici, and Cirque Du Soleil’s Zumanity, and he appeared in the feature film One Last Dance. He has collaborated with a number of celebrated artists, including Prince, Lenny Kravitz, Kelly Clarkson, ELEW, David Rozenblatt, Nicholas Payton, The Drifters, Paul Simon, Billy Strayhorn, Nina Simone, Marvin Gaye, U2, The Turtle Creek Chorus, and Patrick Swayze.
Rhoden is a recipient of various honors and awards including The New York Foundation for the Arts Award, The Choo San Goh Award for Choreography, and The Ailey School’s Apex Award. Rhoden received an honorary doctorate degree from the Boston Conservatory in recognition of his extensive contributions to the field of dance. In 2020, Rhoden will premiere 2 new works for the company’s New York City season at The Joyce Theater.
Monica Montano
Director of Education
Ms. Montano started her dance training in ballet, contemporary and jazz in Mexico City. She is a certified Simonson Teacher from Dance Space Center in NYC, completed her BA as a Contemporary Dance Educator at the National School of Dance (Mexico,) and is currently finishing her Masters in Arts Management and Cultural Policies. She has worked for the National Dance Company of Mexico; as dance consultant for the National Center for the Arts in Mexico; as Program Coordinator for Mexico City Ballet; tour manager in Mexico with the Limón Dance Company and Dance Now! Miami.; and for over a decade, as International Director of the Joffrey Ballet School in New York City. Ms. Montano, also co-directs Scouting Dance, a project that helps young Mexican dancers access international educational opportunities.
Ms. Montano joined Complexions Academy in 2021, first as Academy Manager and now as Director of Education, contributing to the overall growth of the Academy's programs.
Jillian Davis
Master Faculty
Jillian Davis is a Kutztown, PA native, and began her ballet training at the age of 3. She studied extensively with Risa Kaplowitz and Susan Jaffe at Princeton Dance and Theater Studio in Princeton, NJ. Jillian has attended San Francisco Ballet, School of American Ballet, as well as Pacific Northwest Ballet and LINES Ballet, both on scholarship. In 2013, she developed the “Jillian Davis Dance Project”, now known as JD Moves. Her piece, Tiel, was featured at Jennifer Muller’s Hatched Series and was selected as a finalist for Rider University’s Emerging Choreographers Showcase.
Jillian has been a company member with Complexions since 2014. She has been part of several Dwight Rhoden world premieres, including Star Dust, Bach 25, Woke, Love Rocks, and a world-premiere solo, Elegy, Love Rocks, Snatched Back from the Edges, and Endgame, among other creations. She has also performed installation works by Desmond Richardson and an excerpt of Approximate Sonata and Slingerland by William Forsthye.
Along with being a dancer with Complexions, Jillian is part of the core faculty for Complexions Academy, teaching at intensives and master classes around the world. She also frequents as a guest teacher and choreographer with schools around the country, including SLK Ballet, Berks Ballet Theater, Princeton Dance and Theater Studio, Missouri Valley College, among other schools. IG @Jillange93
Natiya Kezevadze
Master Faculty
Natiya Kezevadze started her training in Classical Ballet at V. Chabukiani State Ballet School in Tbilisi, Georgia. At age thirteen, she was afforded the privilege of being accepted to the Vaganova Academy of Russian Ballet on full scholarship and moved to St-Petersburg, Russia. While at the Academy, Natiya performed on the celebrated Mariinsky Stage in ballets such as Swan Lake, La Bayadere, La Sylphide, Chopiniana, Nutcracker, Giselle, Legend of Love to name a few. Ms.Kezevadze graduated from professor T. Udalenkova receiving a BFA and was invited to join Boris Eifman Dance Company. Natiya was also a soloist with Ballet Classic, Saint, Petersburg, Russia and moved to NYC in 2004 to further pursue her performing career. In NYC she continued her training with many notable dance masters including Milton Myers, Donald Byrd, Dwight Rhoden, Desmond Richardson, Nathan Trice, Elisa Monte, Joe Lanteri and numerous others. Natiya has appeared in New York International Festival’s “Icarus”, Ballet Builder’s “Passing Thru”, Eglevsky Ballet’s “The Nutcracker” and “Antigone”. She was also a featured model in a promotional video “Entropy” for Trienawear Dancewear. In 2005 Natiya joined Forces of Nature Dance Theater Company, under the direction of Abdel Salaam, where she continues to dance today. Additionally, Ms.Kezevadze became a member of Complexions Contemporary Ballet (CCB) in 2007 and had the amazing opportunity to tour worldwide performing widely acclaimed works by Dwight Rhoden, Desmond Richardson, Igal Perry, Jae Man Joo. In 2012 Natiya and her husband, Ilia, welcomed the birth of their daughter Vivi. Ms. Kezevadze left life on the road with Complexions to focus on motherhood. She then found time to embrace her love teaching both classical and contemporary ballet. Ms. Kezevadze has the pleasure of teaching for Complexions Summer and Winter Intensives, Pre-Professional Programs and teaching Company Classes,
She has taught at the Joffrey Experience in NYC, Broadway Dance Center, and has acted as assistant choreographer with the New York City Ballet’s Choreographic Institute and for Dwight Rhoden’s original international production of the Great Gatsby Ballet.
Today, Natiya is honored to continue performing with CCB as an artist in residence, teaching at Complexions Academy, as well as collaborating in various dance projects.
Miguel Solano
Master Faculty
Miguel Solano originally from Medellín, Colombia, began his dance journey at the age of seventeen. He initially trained in Colombia before moving to New York City to complete his studies at the Gelsey Kirkland Academy of Classical Ballet on a full scholarship, performing with Kirkland’s studio company.
Miguel has performed with Awaken Dance Theater, Thomas/Ortiz Dance, RudduR Dance, and Connecticut Ballet. He has had the privilege of collaborating with esteemed choreographers such as Earl Mosley, Christopher Rudd, Francesca Harper, Ricardo Amarante, Jenn Freeman, Darrell Moultrie, Larry Keigwin, Nadege Hottier, Larissa Calero, Eve Chan, and Ted Thomas.
In addition to his performance career, Miguel is one of the lead faculty members at Complexions Academy, where he teaches intensives and leads master classes globally. Miguel joined COMPLEXIONS in 2018, and became Assistant Rehearsal Director in 2023.
Jae Man Joo
Guest Faculty
Korean born artist, recipient of Princess Grace Choreographer Award in 2009. He was a Principal Dancer at Complexions Contemporary Ballet & Ballet Hispanico. Joo has worked with Complexions for over 19 years, as the Associate Artistic Director (2011- 2018), Ballet Master (2011- 2019) and as Artist in Residence. In 1996 he received the Best Artist Award from the Bagnolet International Dance Festival in Paris, France. As a resident choreographer for Complexions, Joo created works such as "Goodnight", "Recur", "Flight" ,"Surface", amongst others, all of them premiered at Joyce Theater in New York City. He created "CIRCULAR" for AILEY II Company in 2016, and has continued to create for Marymount Dance, Ailey School, Point Park Dance, Joffrey Ballet School, PCDC and more. In 2018 Joo world premiered "INTERMEZZO"(Pärt & Bach) for Wise Ballet Theater in Seoul, Korea. Joo has worked with Shen Wei, Zvi Gotheiner, Igal Perry and Jessica Lang, amongst others.
In 2017 and 2019 Jacob's Pillow invited him to create new work: "CANVAS" and "Dive & Fold" respectively, which where performed at the prestigious Jacob's Pillow Inside/Out stage.
Larissa Joseph
Master Faculty
Larissa Joseph is an accomplished Canadian ballerina and contemporary artist from Ottawa, Ontario, Canada. She joined Complexions Contemporary Ballet in 2015 and has since received critical acclaim for her performances in the works WOKE and LOVE ROCKS during her seven seasons with the company. Currently, Mrs. Joseph serves as an Artist in Residence and an instructor of the Nique technique at Complexions Academy.
Mrs. Joseph holds a Bachelor of Fine Arts (BFA) from Fordham University and Alvin Ailey American Dance Theater, with additional training from Alonzo King LINES Ballet, The Royal Winnipeg Ballet, and Quintee Ballet School of Canada. Her work has been featured in renowned publications, including The New York Times, Pointe Magazine, and Dance Spirit Magazine. She is a sponsored ambassador of Gaynor Minden pointe shoes.
Throughout her tenure with Complexions, Mrs. Joseph has contributed to several notable projects. She appears in the poignant dance film Black Is Beautiful, which pays homage to the lessons learned from the global pandemic and the BLM social movement, premiering on YouTube in 2021. Additionally, she participated in the off-Broadway collaboration Mozart: Her Story, directed by Stephanie Klemons and written by Tegan Summer, which debuted at Carnegie Hall in 2023 and premiered in London's West End at the Theatre Royal Drury Lane in 2024. She also performed as a guest artist during The Arpino Centennial Celebration, where she danced Gerald Arpino’s Valentine alongside Fabrice Calmels of the Joffrey Ballet and Charles Paul, principal bassist of the Cleveland Orchestra.
Mrs. Joseph is a passionate educator and mentor, having conducted lectures and master classes across the United States, in the Bahamas, and Canada. As an ambassador of Complexions' Nique, she is honored to teach and stage company repertoire during Complexions Academy’s annual summer and winter intensives. She has also led pre-professional residency programs at esteemed institutions, including American Ballet Theatre's Jacqueline Kennedy Onassis School, Humboldt State University, Penn State University, University of Southern California, and Howard University, where she currently serves as the Coordinator of the Dance Program.
In her role at Howard University, Mrs. Joseph has helped to integrate Complexions Academy’s unique approach to dance education, including the re-staging of Black Is Beautiful for the university’s dance program. The ballet has since been performed at prestigious venues such as The Joyce Theater, International Association of Blacks in Dance Conference, and the John F. Kennedy Center For the Performing Arts.
Through her extensive career as a dance artist and educator, Mrs. Joseph continues to dedicate her life’s work to bringing a modern relevance to the art of ballet. @larissa.i.joseph